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UGA Presents
Jerusalem Quartet
Friday, May 2 | 7:30 pm | Hodgson Concert Hall
UGA Presents
Brandon Patrick George, flute
Kenneth Weiss, harpsichord
Friday, April 18 | 7:30 pm | Ramsey Concert Hall
UGA Presents
Renée Fleming
Voice of Nature: The Anthropocene
Saturday, April 26 | 7:30 pm | Hodgson Concert Hall
UGA Presents
Jerusalem Quartet
Friday, May 2 | 7:30 pm | Hodgson Concert Hall
UGA Presents
Brandon Patrick George, flute
Kenneth Weiss, harpsichord
Friday, April 18 | 7:30 pm | Ramsey Concert Hall
UGA Presents
Renée Fleming
Voice of Nature: The Anthropocene
Saturday, April 26 | 7:30 pm | Hodgson Concert Hall
UGA Presents
Jerusalem Quartet
Friday, May 2 | 7:30 pm | Hodgson Concert Hall
Thursday Scholarship Series: “Music and Dance”
Thursday, April 17, 2025
Mahler: Symphony No. 2 “Resurrection”
UGA Symphony Orchestra and Combined Choirs
Thursday, April 24, 2025
Thursday Scholarship Series: “Music and Dance”
Thursday, April 17, 2025Mahler: Symphony No. 2 “Resurrection”
UGA Symphony Orchestra and Combined Choirs
Thursday, April 24, 2025
Recent News
“Why I Give” – Ian Hardin and Carol McKay
April 15, 2025“Why I Give” is a recurring series of articles about the people who support the University of Georgia Performing Arts Center. Meet Ian Hardin and Carol McKay. He is UGA’s […]
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Jerusalem Quartet Returns May 2 With a Program of Classics
April 11, 2025“Passion, precision, warmth, a gold blend: These are the trademarks of this excellent Israeli string quartet.” —Times of London The Jerusalem Quartet is highly regarded for its warm, full sound […]
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Renée Fleming Returns to UGA for Recital, Panel Discussion April 25 & 26
March 31, 2025“Fleming’s voice floats and blooms with its customary beauty.”—The New Yorker Renée Fleming is one of the most highly acclaimed singers of our time, performing on the stages of the […]
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Flutist and Harpsichordist Celebrate Father and Son Bachs April 18
March 29, 2025“Brandon Patrick George is a flutist who has gained much attention and accolades with his virtuosity and gorgeous round flute tone.”—Sound in Review “[Kenneth Weiss’s] playing, refined in its technique […]
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